Mary Deady. PHOTOS BY DAN BROWN
Salon Diary / By Karen Daly
On a night when many citizens were home watching the President report on the State of the Union, the IAW&A Salon crowd was happily cocooned at the Thalia Studio at Symphony Space, enjoying a particularly upbeat and lively night.
Bert Lee got the night off to a terrific start reading the first chapter of his novel “Dead Man's Coat,” inspired by the story of his grandfather who came from Ireland at age 12. “Dead Man's Coat” will soon be available in an eBook and in print. Bert’s a musician/songwriter who runs an open mic at Cowgirl, 255 W. 10th St. (bertlee.net).
Kathleen Vaughan read an insightful piece from her upcoming book – “Raised by Nuns and Drunks.” The chapter describes how bonds developed among the girls at the Lt. Joseph P. Kennedy Jr. Home. Kate shared the coping styles that got her and others through their feelings of abandonment and noted how the girls stayed loyal to one another.
Writer and actor Alan Gary’s essays about his childhood in Brooklyn range from tragic-- he was haunted by the memory of a friend who died at age 8 – to humorous-- on the fencing team in high school, Alan learned about the power of myth in standing up to bullies.
IAW&A President Mary Pat Kelly stopped by with singer Mary Deady to preview this week’s at launch Mary Pat’s latest novel, “Irish Above All.” Mary Deady sang “Has Anybody Here Seen Kelly?”
At other Salons, Andre Archimbaud has offered personal essays that revealed his Irish heart. Tonight he revealed another aspect side of himself, his wish to do stand-up comedy, with stories about his teenage years, and how his father decreed that you had to “earn your spine.”
In “O Holy Night,” Sheila Walsh’s one-act play, two sisters, deftly portrayed by Maureen Hossbacher and Walsh discover that years ago their parish priest had affairs with several high school students. The revelations challenge their faith, the sisters’ humor and love gets them through a loss of innocence on Christmas Eve.
Salon producer and night’s host, playwright and novelist John Kearns debuted two new poems. "The Artist's First Day of School" is about a 6-year-old boy who imagines that his schoolyard fence can zap people with electricity and the contemplative "Floating in a Mountain Lake,” describes inhaling and exhaling while floating in the water and letting go of thoughts of work and responsibility.
Salon newcomer, longtime poet and writer Louis Bardel’s contributed a beautiful poem about mature love, “36 Years to Love You.” His piece “Solitary Confinement" transcribes a story about the horrors of incarceration, which Louis’ oldest friend, the late Seanan Rork had told him. Louis has published “The Allen Ginsberg Interview,” a book based on his 90-minute interview with the poet. To learn more, http://www.frenchquarterliterature.com
Playwright Ray Lindie’s short story “The Christmas Bullet” is based on a frightening true event and delivered with emotion. An angry older kid named Karl taunted the younger boy with a Remington semi-automatic rifle.
In Natalie Rogers’ poem “Erotic Dreams on Valentine,” she dreams that an older woman, she’s erotically pursued by 2 hot grown-up cupids. After first resisting, she succumbs to their romantic invitations. Says Natalie,
“…even though a dream's not real...
What matters most is how you feel”
We know John Paul Skocik as a singer/songwriter/actor and now he’s adding another dimension: playwright. Working with another talented actor, Sam Balzac in John’s “Where To Buy Caviar,” they play two blue-collar guys from southwestern Pennsylvania making the rounds in the local bars. The friends bemoan the state of professional football and wonder about a friend who had the audacity to serve caviar at a Super Bowl party.
Sam Balzac and John Paul Skocik.
Sam Balzac will perform selection of songs from his absurdist musical ("Existential Questions of the 21st Century") at Green Room 42 on March 8.
The charming Erin Hall, also known as Erin and Her Cello, ended the Salon on a high note. She played some of her comedic songs, accompanied by Aya Kato on (an out-of-tune) piano. The were the bluesy “Fresh Clean Towels” and “I Don’t Want to Go into Duane Reade.” The third tune, by popular demand, was about “Tiny Buns,” the edible kind. www.erinandhercello.com.