John Munnelly ended the evening with four songs.
By Karen Daly
A great audience for the April Salon at Bar Thalia on Thursday, April 6 was rewarded with wonderful poetry, skillful comic performances and exceptional music.
Cormac O'Malley returned to the salon with poems by his father, the militant Irish nationalist and literary figure Ernie O'Malley (1897-1957). When O’Malley lived in the U.S. in the 1930s, he wrote romantic, nostalgic poems about Ireland including “Picturesque Connemara,” “County Mayo” and “Mary Anne Jordan.” Other works reflected the struggle for independence and those who did not survive it. They include “Ghosts,” “Friends Shot in Gaol” and “Mountjoy Hanged, 1921.”
Cormac will launch his books “Modern Ireland and Revolution, Ernie O'Malley in Context” and “Western Ways: Remembering Mayo Through the Eyes of Helen Hooker and Ernie O'Malley” with the First Irish and IAW&A members at the Maple Cafe, 938 Maple Ave., Hartford, Conn., on Friday, April 28, at 9 p.m. (More at www.ernieomalley.com.)
Mayo native Maura Mulligan read two poems about Ireland’s beauty. “Dawning of the Day” evokes the morning mist on Minaun Cliffs. She composed it during her writer’s residency at the Heinrich Böll cottage on Achill Island, where she worked on "Call of the Lark," her memoir. “Evening in Dooagh” was inspired by a windy evening in the village of Dooagh. Maura founded Nollaig na mBan NYC, a group of artists dedicated to celebrating Celtic holidays to fundraise for The Dwelling Place of NY – a transitional residence for homeless women in NYC. The next event, celebrating Bealtaine will take place on Sunday, April 30th at Ripley Grier Studios, 520 8th Ave at 3:30 p.m. For more information, contact mauramulligan@aol.com.
Maria Deasy and Sarah Lafferty gave wonderfully comic performances as a less-than-loving mother and daughter in "Dyin’ for It" by Dublin-born playwright Derek Murphy. As the man of the house is upstairs fighting for his life, they fight over the merits of being kidnapped and tortured overseas vs. staying home in Ireland and being kidnapped and tortured. Their argument is prompted by the "Taken" movies starring Liam Neeson.
Bernadette Cullen read two beautiful, topical poems: “Conversation in Black and White” and a piece that contrasted the words of Emma Lazarus inscribed on the Statue of Liberty (“Give me your tired, your poor, your huddled masses…”) with the U.S. response to the tragedy in Syria. Our audience responded with tears to this moving work.
The fabulous Freddie White sang three original songs — “Some Stupid Song” and “Last Man Standing” from his latest CD Prodigal Songs and “That Loving Touch” from his Better Days CD. For more about this singer/songwriter/musician, go to www.freddiewhite.com where you can find listings for his upcoming performances.
Salon newcomer Ailbhe Fitzpatrick brought her many talents to New York a year and a half ago. A singer, music producer, pianist and documentary filmmaker from Dublin, she demonstrated her beautiful voice by singing the Patrick Kavanagh poem “Raglan Road” set to the music of “Dawning of the Day” by Luke Kelly. As an encore, Ailbhe sang the traditional ballad “Red Is The Rose." Hear her again at the first May Salon.
A great Salon supporter, Sheila Houlihan, read an autobiographical poem, “When I Was A Child.” She highlighted the popular music that formed the soundtrack her life. Of Elvis, she writes
"Those hips didn’t lie. New sounds and rhythm of his guitar.
Passing fad. Devil’s music, said the critics.
Yet its pulse spoke to me…"
Sheila was delighted with the reception of her first-ever attempt at writing a poem.
Another poet new to IAW&A, Indiana born Miranda J. Stinson moved to Brooklyn in 2016, after a year in Ireland. Miranda shared some of her work, including “Trench Cello” and a beautiful love poem titled “Saiorse.” Miranda works in publishing and will be participating in the New York Rose of Tralee selection night on April 30, 2017.
Producer of the Irish American Film Festival, Ed Patterson has written a screenplay called "Separation Anxiety." Ed calls it “a love story of a middle-aged couple on their anniversary…” though they’re not quite loving when we first meet them. Maria Deasy played Ed’s wife, and Sarah Lafferty the babysitter in the engaging segment we heard tonight.
Salon producer John Kearns presented a brand-new song whose title he came up with during John Munnelly's Songwriting Bootcamp at the Irish Arts Center. John had the crowd singing along to “They Wouldn't Call Them Crushes If They Didn't Hurt Your Heart.” The song tells four stories in which the narrator develops feelings for a woman -- a coworker, a bartender, a fellow student and a singer -- but the relationship doesn't work out.
Then John Munnelly himself closed the show with four songs from his soon-to-be-released acoustic EP "Expanding Universe." They were “Kings and Jesters,” “Angels Tears” “ Expanding Universe” and “Hallelujah (Encore).” John recorded them in Brooklyn with a trio of acoustic guitars, vocals and an upright bass. A graphic artist, John is handcrafting each CD cover. Watch this space for the "XU" release show and come support a Salon favorite.
There is no Salon scheduled for the Cell this month. The next gathering will be on Thursday, May 4, at Bar Thalia, 2537 Broadway (corner of 95th Street), in Manhattan.
